Absolute Superman # 1 - 19

 

Star Trek/Green Lantern Vol. 2 # 1 - 6

 

Star Trek/Green Lantern Vol. 1 # 1 - 6

 

Nightwing – Uncovered

Dick Grayson is front and center in a stunning collection of some of the most compelling cover art to grace his solo title over the years!

MultiVersus – Collision Detected

THE HIT VIDEO GAME IS NOW A CAN'T-MISS COMIC!

Bruce Wayne, Diana Prince, and Clark Kent each wake in a cold sweat, troubled by strange dreams they've had about the rabbit, the star child, and the witch. Their investigation into these enigmatic visions brings them to unexpected locales and unusual characters, but none more unusual than the mysterious rabbit from their dreams as they find themselves face-to-face with the one and only Bugs Bunny. What the heck is going on here? And who in the name of the Multiverse are the star child and the witch?

The hit video game spills from your screen and into the DCU, and it's bringing a whole lot of friends from some of your favorite universes with it!

BATMAN: UNSEEN # 1 - 5

 Moench and Jones reunite for this title collecting the scarifying 5-issue miniseries! Horrible murders have Gotham City held captive, but all anyone knows is that a weird, skinless man has been seen fading away at the scenes of the crimes. Gotham’s only hope is The Dark Knight – but how can Batman fight an invisible man?

 

ITEM # Robin and Batman – Jason Todd # 1 - 3

Jeff Lemire and Dustin Nguyen return to spotlight the early days of a very different Dynamic Duo, with a very different dynamic.

Batman has a new Robin: a rash, impulsive, reckless kid with a troubled past, who Batman was certain he could mold into Gotham's next crime-fighter. But can the Dark Knight save Jason Todd from the darkness within himself? And when a mysterious new villain sets his sights on Jason, Batman finds himself doubtful that even he has what it takes to train the anger and torment out of his new young ward. 

Kissyfur

The story is based on the animated television series Kissyfur, which aired in the mid-1980s as part of NBC’s Saturday morning cartoon lineup. Created by Phil Mendez, the show followed the adventures of a little bear cub named Kissyfur and his father Gus, who escape from the circus to start a new life in the swamp. There, they build a community with other animal characters while learning about friendship, trust, and family bonds.

The comic adaptation captures the same lighthearted and warm tone of the cartoon. It features Gus as a loving but clumsy father, and Kissyfur as the playful and brave cub, always ready for new adventures with his friends—including a rabbit, a piglet, and other cheerful swamp dwellers. The art style is colorful and playful, echoing the animated look of the series, making it appealing to children and nostalgic fans alike.

As with many cartoon-to-comic adaptations of the 1980s, this issue sought to extend the popularity of the TV show into print form, giving fans an additional way to connect with the characters they loved on Saturday mornings. Today, Kissyfur comics are remembered as part of the era when DC Comics experimented with bringing animated favorites into comic book form, standing alongside other adaptations of beloved cartoons.

 

REAL FACT COMICS # 1 - 21

Real Fact Comics was an educational American comic book series published by early iterations of DC Comics, including World's Best Comics, Inc., Detective Comics, Inc., and National Comics Publications. It ran for 21 issues from March/April 1946 to July/August 1949 and aimed to present educational content about historical figures and scientific topics, alongside some science fiction stories. Notably, it introduced the character Tommy Tomorrow and featured early work by famous creators Jack Kirby and Joe Simon. One particular issue (#5) included a story about the "true" origins of Batman, crediting Bob Kane, which has been noted for its loose relationship with historical accuracy. The series struggled with poor sales despite its educational intent and was a part of the post-war push for less lurid comic content. It also hosted the earliest known published work of science fiction writer Harlan Ellison. The comic represented DC's only entry into the educational comic genre at the time, which was spawned partly as a response to criticism against comics in the 1940s.

 

Plastic Man No More! # 1 -4

Eel O'Brian was a crook before he became the elastic hero Plastic Man. After an accident left him boneless and pliable, he tried to outrun his past — but a catastrophic Justice League mission causes cellular damage that may leave him with no time to make amends. Now Plastic Man must fight not only to save himself but to protect the soul of his son, who may have inherited more than just superpowers from his father. A story about redemption, legacy, and the sticky ties that bind.

John Constantine, Hellblazer – Dead in America # 1 - 11

At last, as you demanded: The celebrated creative team of Si Spurrier and Aaron Campbell have returned to Hellblazer! John Constantine has cheated death once again—but his heart's not beating, his body is decaying, and he, his friend Nat, and his son Noah are on the run in America, wanted for murder. Naturally, it's all John's fault—it always is. But as it turns out, Dream himself needs John's help. Something terrible has taken root in America, and it's using the sand from Dream's pouch to impose its will. If John can put a stop to it, he might be able to parlay that favor into a chance to save all their lives—but he's going to need help from someone he hasn't spoken to in years. Spurrier and Campbell's first run on Hellblazer was the best-reviewed comic of 2020, and their second act, told in extra-length issues, is ambitious and unmissable!

Dark Knights of Steel – Allwinter # 1 - 6

THE ELSEWORLDS RELAUNCH CONTINUES! In this bone-chilling Dark Knights of Steel chapter, Deathstroke prowls a frozen wasteland where snow buries kingdoms and blood runs black. The assassin kills for coin among warring jarls, yet fate casts him as a reluctant guardian. Haunted by his past, will he shatter the icy curse consuming the land or fall to the darkness within? This new tale expands the Dark Knights of Steel saga into frozen realms filled with peril, vengeance, and unexpected revelations.

Green Lantern – Green Arrow – World’s Finest Special

Everyone's favorite hard-travelin' heroes are back through the iconic lens of World's Finest! In the not-too-distant past, Oliver Queen and Hal Jordan find themselves at a crossroads, forced to reunite against the ruthless bounty hunter whispered about as Deathstroke the Terminator. Plus, Jeremy Adams returns to the Flash with a twisted Barry Allen tale on the road to crisis. An oversize one-shot spectacular you cannot miss!

ITEM # Absolute Batman – Noir Edition

In the shadowy corners of Gotham, Batman emerges as a towering figure of fear and justice. The Noir Edition amplifies the dark and gritty essence of the city, presenting every story in stark black and white. Scott Snyder’s storytelling and Nick Dragotta’s dynamic line work create unforgettable tension, where each shadow becomes a character. The Absolute Noir edition, oversized and deluxe, invites readers to immerse themselves in Gotham’s labyrinth, where the line between hero and shadow blurs.

ITEM # Aquaman # 1 - 10

NEW POWERS, NEW MISSION… THE KING IS BACK, BABY! In the wake of Absolute Power, Arthur Curry's powers have evolved to powerful new heights, and this is one king ready to use them to kick some serious butt. Mammoth water-construct Kaijus have emerged from each of the seven seas, and only Aquaman's water-warping abilities can stop them — but not if they kill the good king in the process! Enter Dagon, Arthur's guide on the quest to unlock the secrets of the "blue." But what deadly secret awaits Arthur on his journey? It's an all-new era for Aquaman by acclaimed creators Jeremy Adams (The Flash, Green Lantern) and John Timms (Action Comics) that will leave you cheering!

 

ITEM # DUAL

When Bill Jensen was ten he made a bargain with the dark corner under his bed: if he whispered a name often enough, the name would answer back. Yasu was a name that smelled like the ocean and old coins, a friend Bill insisted was only for him. They climbed trees together, traded secrets, and arranged pretend battles against monsters they drew in the margins of their schoolbooks.

One afternoon, bored and reckless, Bill and Yasu traced a pattern on the underside of a cardboard box and sang a nursery rhyme they'd half-invented. The air tightened, like a hand around a throat, and something in the grain of the floorboards answered. By dusk three classmates lay silent where they had been playing, and the world altered its rules in the space between a child's shout and a parent's scream.

Years later, the accident had the weightless hush of things people refuse to speak aloud. Bill lived with the stain of that day like an old scar: it itched in thunder and faded in daylight. Yasu was quieter now, no longer a pocket of mischievous sunlight but a presence in the periphery—sometimes a whisper that tilted Bill's thoughts toward impossible solutions, sometimes a cold certainty that let him do things other men could not imagine.

Adulthood only made the catalogue of strangeness larger. They learned, the hard way, that the world kept private ceaselessly odd hours. In subway tunnels, a woman with moth-silent wings read a newspaper; at the corner cafe, a man with too-many eyes sipped espresso and nodded like a stray god. Bill and Yasu moved through the city like pale ghosts who had learned how to bargain for a life: a careful apology here, a necessary omission there. They learned to recognize the creatures that thrived between the seams of the ordinary and carried their secret names in the pockets of their coats.

Sometimes their power arrived with the banalities of the day—an elevator that refused to close until Bill thought the word that set a door to another room; a glance at a television that rewound time by a breath. At other times, it was a jagged, terrible thing that unstitched flesh from meaning. Yasu never explained how or why; he simply suggested, and Bill obeyed, because obedience felt safer than ignorance.

They made rules: never speak a child's name into a pattern; never unlock a door you do not understand; never pretend an apology can smooth the world into what it was. Yet rules are scaffolding around a truth that will not be contained. Bill discovered that power has appetites. It liked attention. It learned habits. It died a little when unused and grew noisy when fed.

On certain nights, when the city's lamps looked like a string of tired stars, Bill and Yasu would sit on the roof and watch the secret migration—creatures slipping past neon and fog, carrying their own grudges and griefs. A lonely tenderness took Bill then, toward a friend made of absence and insistence. He had lost boys to an echo of a game and gained, by accident or fate, a role in a hidden ecosystem that demanded both restraint and violence.

In the end, Bill understood that undoing what had been done required something more than courage: it required choosing which worlds to hurt so others might breathe. Yasu would murmur possibilities like seeds—some that sprouted kind things, some that bloomed in ruin. Bill would clear his throat and pick the one that might save a single life tonight, because sometimes power is only a ledger: what you take must be paid in small mercies, never in the coin of children's names.

ITEM # Dominique Laveau – Voodoo Child # 1 - 6

Someone or something has murdered the Voodoo Queen and most of her court. The number one suspect is Dominique Laveau, a grad student at Tulane who is about to discover that her entire life has been a lie. Now Dominique must forge alliances with those out to kill her while seeking to uncover the truth behind the royal murders.

ITEM # Deadenders # 1 - 16

Their whole world is on life-support and they're about to self-destruct. They're an angst-ridden gang of teenagers living in a nuclear wasteland where one deserted neighborhood is worse than the next. Loaded with attitude, Bartholemew Beezenback — a.k.a. Beezer — is Sector 5's gang leader: a cocky teenager who spends most of his time cranked up on "amp," riding his scooter and dodging his large family as well as the corrupt CityCorps cops. He spends his time dealing drugs, igniting street riots, repossessing cars and arguing with his girlfriend, but his once-exciting, edgy life is about to go from accelerated to overload. Because not only has Beezer been harboring a nasty secret (strange "visions" of a world with blue skies and sunlight) that's about to burst into the open, but, as the series unfolds, he's going to discover an unbelievable truth about himself that could propel him from life as a hyped-out delinquent to that of a reluctant hero. Beezer could be his world's savior...that is, if his world lasts long enough. Blade Runner meets Quadrophenia in a dank, futuristic landscape that has been dramatically altered since an earth-shaking event no one seems to remember. While doomsterism and environmental diseases plague most of its denizens, those wealthy enough to live in the "rich" sectors revel in what passes for utopia, a place where enormous weather machines occasionally spew artificial sunlight and books are as rare as royalty.

ITEM # Dead Corps # 1 - 4

Dead Corps is a four-issue limited series published by DC Comics in 1998. Written by Christopher Hinz with art by Steve Pugh, the story presents a dark, militaristic science fiction world where death is no longer the final frontier. The narrative follows a squad of resurrected soldiers—combatants brought back from the dead to serve once more—raising questions about identity, morality, and the true cost of war. Released during the late ’90s experimentation era for DC, the series stood out for its gritty tone, cyberpunk aesthetics, and unflinching commentary on military exploitation, making it a memorable entry in the publisher’s catalog.

ITEM # Daytripper # 1 - 10

They were two of Entertainment Weekly's Top 100 stars to watch. They've won multiple Eisners and have worked with the top names of comics and pop culture from Joss Whedon (Sugar Shock) and Mike Mignola (BPRD: 1947) to Gerard Way (Umbrella Academy) and Matt Fraction (Casanova). Now, Brazilian wonder twins Fábio Moon and Gabriel Bá return with DAYTRIPPER, a hauntingly lyrical series set in their native Brazil. Following in the tradition of master cartoonists like Craig Thompson, Paul Pope, and David Mazzucchelli, they craft a story about quiet moments that ask life’s biggest questions. Brás de Oliva Domingos, an obituary writer burdened by his father’s fame and his own dissatisfaction, faces a twist in the first issue that transforms into a profound mystery about the meaning of life itself.